Matthew Halsall

‘Salute to the Sun’ (Gondwana Records) LP

Catalog: GONDCD039 / GONDLP039 – CD//2LP//DL
Release Date: 20/11/20

Composer, trumpeter, producer, DJ and founder of Gondwana Records, Matthew Halsall has always worn many hats. But at the heart of everything that he does Halsall is first and foremost an artist and a musician. A trumpeter whose unflashy, soulful playing radiates a thoughtful beauty and a composer and band-leader who has created his own rich sound world. A sound that draws on the heritage of British jazz, the spiritual jazz of Alice Coltrane and Pharoah Sanders, as well as world music and electronica influences, and even modern art and architecture, to create something uniquely his own. A music that is rooted in Northern England but draws on global inspirations.

Salute to the Sun is his first album as a leader since Into Forever (2015) and marks the debut of his new band. A hand-picked ensemble featuring some of Manchester’s finest young musicians: Matt Cliffe flute & saxophone, Maddie Herbert harp, Liviu Gheorghe piano, Alan Taylor drums and Jack McCarthy percussion as well as long-time Halsall collaborator, bassist, Gavin Barras who has been at the heart of Halsall’s bands for over a decade. For Matthew it was important to have a band based locally and able, pre-Covid, to meet and play each week, and who also performed a sold-out monthly basement session at Yes in Manchester. The album draws energy from these sessions and inspiration from themes and ideas that have inspired Halsall through the years (on albums such as Oneness, Fletcher Moss Park and When the World Was One) ideas of ecology, the environment and harmony with nature.

“I feel Salute to the Sun is a positive earthy album. I wanted to create something playful but also quite primitive, earthy and organic that connected to the sounds in nature. I was listening to lush ambient field recordings of tropical environments such as jungles and rainforests and found myself drawn to percussive atmospheric sounds which replicated what I was hearing (bells / shakers / chimes / rain sticks) and I started to experiment with more wooden percussive instruments such as kalimba and marimba”.

Salute to the Sun opens with Harmony in Nature, a lush wholly improvised tune inspired by ambient rainforest and jungle field recordings. The first single, Joyful Spirits of the Universe, is a lush, soulful tune built around a hypnotic kalimba line and with flute and harp textures to the fore alongside Halsall’s sublime trumpet playing. The transcendent Canopy & Stars is built around a rhythmical pattern featuring harp and kalimba and has an elevated feel and a beautiful melody plaintively expressed by Halsall’s poignant playing and features fine work from Matt Cliffe on tenor. Mindfulness Meditations is a beautiful paean to the pleasures of meditation. Tropical Landscapes is inspired by the paintings of Henri Rousseau, Peter Doig and Paul Gauguin and their depictions of exotic paradises. The title track Salute to the Sun features a beautiful intro and solo from harpist Maddie Herbert and is a nod to Halsall’s time studying at the Maharishi School. Every morning before classes they practiced Sun Salutations followed by transcendental meditation and the track references that memory. Pulsing with energy and drive, the album closes on an upbeat note, The Energy of Life foregrounds Halsall’s life-affirming trumpet playing over a powerful percussion, bass and piano driven groove that is partly inspired by some of Halsall’s favourite early 70s spiritual jazz recordings from the Black Jazz and Strata-East labels.

The album was recorded at the band’s weekly sessions, using Halsall’s own recording set-up, giving the recordings a relaxed vibe and unforced energy that really lets the music breath. The album is also very much a family affair as Halsall’s brother Daniel Halsall, artistic director of Gondwana Records, was an important presence at the sessions and co-produced the album. It is also his memorable artwork that adorns the cover of Salute to the Sun, an album beautifully designed by legendary designer Ian Anderson of The Designers Republic, who also created the covers for the recent archival releases Oneness, Sending My Love and Colour Yes and is one of Halsall’s favourite designers. Together Daniel Halsall and Ian Anderson have designed all of Matthew’s seven albums to date, so it felt extra-special to bring them together for, Salute to the Sun, an album that Halsall was determined to present in the very best way possible. The album was mixed with another long-time collaborator, George Atkins at 80 Hertz in Manchester, who works tirelessly with Halsall to perfect the sound and was mastered by noted engineer Peter Beckmann who brings an added depth to the sound specially around the bass notes as well as Halsall’s trumpet. The magnificent double vinyl was cut as a Half Speed master by Barry Grint at Alchemy Mastering for the best possible analogue experience.

The result is arguably Halsall’s most beautiful and complete recording to date, playful, charming and imbued with the warmth of the sun and the energy of life.

Matthew Halsall (born September 11, 1983, in Manchester, England) is a Worldwide Award winning and MOBO nominated trumpeter, composer, producer and DJ.

Since 2008, Matthew has released seven critically acclaimed studio recordings and has been a key figure in the rise of a new jazz sound in the UK.

“If I could watch any jazz band in the UK, any, I would choose Matthew Halsall’s band, just love what he’s been doing over the last few years… It’s always high level, spiritual jazz music” Gilles Peterson BBC Radio 1

In addition to his own releases Halsall has collaborated with many DJs and producers, most notably DJ Shadow and Mr. Scruff, and in 2013 Matthew’s music was selected by Bonobo for his Late Night Tales compilation.
Halsall is also the founder of Gondwana Records, a genre bending independent record label featuring a wealth of defining albums by the likes of Portico Quartet, GoGo Penguin, Hania Rani and Mammal Hands.

His own rich music draws on the music of Alice Coltrane and Phaorah Sanders, contemporary electronica and dance music alongside his travels in Japan, the traditional art and music of which, has left a lasting impression on his compositions.
Halsall first picked up the trumpet when he was just six years old, after being taken to see a local jazz big band by his parents. Drawn to the sound of the horn and intrigued by the different playful cheery characters in the band, he started lessons and by the precocious age of 12 had joined the very same big band (as their youngest member by 4 or 5 years).

In his late teens, Halsall discovered DJ culture and the allure of record collecting. Together with his brother, now Gondwana Records art director, Daniel Halsall, he began to visit Manchester most weekends to raid the cities independent record shops (Piccadilly Records, Vinyl Exchange and Eastern Bloc). Inspired by a love of Warp Records and Ninja Tune the brothers began to dream of starting their own label and began to study things that they felt would help them: such as sound engineering, film making, graphic design and promotion. In 2001 (aged just 18) Halsall organised multiple events for Warp Records in Liverpool featuring artists such as Jamie Lidell, Luke Vibert and Chris Clark and his DIY ethos and desire to promote the music he loved would eventually lead to Gondwana Records and the Gondwana 10 events at the Roundhouse London, Sage Gateshead, AB Brussels and in Berlin and Tokyo. 

By the mid 2000s, Halsall was living in Manchester and found himself part of a thriving jazz scene, centred around Matt & Phreds Jazz Club (then owned by saxophonist Matt Nickson). He began playing with local musicians such as Nat Birchall, Chip Wickham, Adam Fairhall and Jon Thorne. And in 2007 inspired by what he was hearing and by the musicians he was working with Halsall decided to start documenting the music and Gondwana Records was born, debuting with the album Matthew Halsall: Sending My Love in 2008. Halsall’s subsequent releases include Colour Yes (2009), On The Go (2011), Fletcher Moss Park (2012), When the World Was One (2014) and Into Forever (2015). In September 2019 he released Oneness a triple vinyl set documenting some of his earliest recordings.