Uniting the Past, Present and Future for the Legacy of our Music
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Category Archives: ACIDJAZZ
Formed back in the heady days of 1987 at the start of the ‘acieed’ explosion, Acid Jazz was the first of the groundbreaking new indie labels and paved the way for the likes of Mo Wax, Wall Of Sound and Talkin’ Loud…
Initially a simple bedroom operation established by Eddie Piller and Gilles Peterson, within three months of the first 45 release (Galliano’s Frederic Lies Still), the label had grown rapidly, acquired premises in London’s east end and laid out a unique manifesto of alternative club sounds – jazz, street-soul, funk, latin, reggae and jazz poetry all put in an early appearance. Galliano, Chris Bangs, The Night Trains, The Last Poets, A Man Called Adam and Snowboy & The Latin Section were amongst the first wave of label signings and they all appeared live at groundbreaking jazz themed nights at London clubs like the WAG in Soho and Camden’s legendary Dingwalls.
By ’89, Peterson had left the label to establish his own Talking Loud imprint and Piller soon moved the operation to Denmark Street, London’s original Tin Pan Alley, into the former EMI music office. The next wave of signings included D Influence, Jamiroquai and The Brand New Heavies. Chart success quickly followed as the label spread its numerous tentacles around the world.
The sound of the label became the name of choice for the scene that had established in its wake and by the early ’90s, Acid Jazz was booming out of a succession of speakers from Sweden to Singapore, Hamburg to Hobart, Shibuya to Sheffield and everywhere in between. International tours followed as the label expanded through the 90′s, gradually increasing their musical influences to include daisy-age hip hop, garage psyche and trip hop.
By the mid-90′s Acid Jazz had revived the careers of legends like Terry Callier, Brian Auger and Gregory Isaacs, established three subsidiaries (Focus, All Seeing Eye and Roots to cater for progressive indie, drum and bass and roots and culture respectively) and signed yet another wave of successful independent artists which included the likes of Corduroy, Mother Earth, The Humble Souls, Goldbug and a dozen more.
In 1994, the label took the plunge and opened the first ‘non-house’ based night club in London. Based on the site of the Bass Clef, a down-at-heel and eventually semi-derelict jazz club in Hoxton – perched precariously amidst the second world war bomb sites, derelict buildings and culture-free zone, the club was credited with paving the way for the whole Hoxton/Shoreditch explosion of the late nineties.
Indeed, the club was rarely less than full seven nights a week hosting events from the likes of Goldie’s Metalheads, Talvin Singh, Coldcut, Ab-ashanti, Athletico and the label’s own Magic Bus. The Blue Note closed its doors at the end of the decade and Acid Jazz went back to what they do best: releasing records.
Label: Miles Away Records – Catalog: MA007 – Release Date: 21st May 2021 – Format: 7’
For our 7th release we are delighted to be reissuing a single that has brought us a lot of joy in recent times. We first came to hear Delores Fuller’s beautiful single One More Chance Lord in the same way we have heard a lot of new music over the last year and a half – through a friend’s lockdown recommendation. Ever since, the single has been a staple in our collection and permanently on our turntable.
Label: Acid Jazz Records Catalog: AJX580S Release Date: 7th May 2021 Format: 7’
John Coltrane, Pharoah Sanders, Eric Dolphy, Duke Ellington and Art Blakey all feature in the story of percussionist and bandleader Emmanuel K Rahim, who had previously been known as Juan Adalbert. This somewhat obscure musician built up a substantial body of work in the 1960s and early 70s before moving to Denmark for the second chapter in his life.
Label: Fingier (An Acid Jazz Group Label) Catalog: AJX591S Release Date: 23/4/21 Format: 7’
After the stunning success of ‘Latin Dynamite / El Basement’ by The Kevin Fingier Collective, which sold out 15 days before the release date, the Argentinian producer has discovered a new talent: Jo Ann Hamilton. Jo Ann Hamilton, from Georgia – USA, was born and raised around Soul and R&B music, Motown Records was the soundtrack of her childhood. Inspired by Diana Ross & The Supremes, she started to sing at the age of 7 and became part of the Gospel Choir from the ‘Melton Chappel’ church.
Acid Jazz presents a dynamic live recording capturing the energy & pure joy of The Brand New Heavies live in 1992.
1991 was a momentous year for The Brand New Heavies. They started it without a singer and were second on the bill to The James Taylor Quartet but by the end of the year they had a Top 3 US hit and were about to embark on a run of 16 Top 40 hits in the UK. N’Dea Davenport was by this point fronting the group as their guest singer, and the brilliant string of singles from their debut album were becoming locked in the minds of an ever-growing fan base.
“It’s Time – Purple Mountain Majesty”/ “Purple Mountain Majesty”
Catalog: AJX5646 Release Date: 5th February 2021
“10 years since we released his last magnificent northern soul classic the legend (and there’s not really many people who deserve that epithet) Dean Parrish is back with possible the best record of his career. Controversial I admit, but listen to it first before you disagree with me!” Eddie Piller