Catalog: CBLL031 Release Date: Out Early October 2020
Two amazing early 80’s modern disco/soul unissued tracksJay Machine Stovall, now available to pre-order from Cannonball New York! The original voices that brought you the club hit: There But For the Grace of God Go I. I hooked up early this year with Jay Stovall via his really good friend Paris Ford who told me he had some unreleased material for us to listen to.I was a bit nervous when I first call Jay the first time, It’s not everyday you talk to someone who had a Hit record. We’ve spent hours on the phone and we’ve connected immediately, like when you talk to someone who knows you for years.
It was mid march and Italy was about to face what turned out to be a 4 months long pandemic lockdown. I remember I was in Uk that weekend when our government started to shut down the country progeressively and my area was among the first ones regulated by a strict nobody-in nobody-out rule. Short after China, Italy has been the first country to get involved in this massive international pandemic control effort, followed by Spain, Uk and Usa. At that time the information filtering out was uncertain, uncomplete to say the least. I really didn’t know whether I would have been allowed to come back home.
“North East Groove”/ “North East Dub” (4/4 Quattroquarti Records) 7″
What’s the point of running a label if you don’t open it up to homies? Leave exclusivity to posh people, inclusion is the word. Pordenone is a small town in the North East of Italy at the heart of what EU calls “Corridor 5” which is the complex road network linking the italian peninsula with the Balkan regions and Austria.
Darrell Banks’ Atlantic Boxing Day 1967 sessions were thought of being lost forever,not even the historical archive of Atlantic Studios kept records of it. This song was recorded the same day and place of Aretha Franklin sessions in New York and for some reasons the masters went lost for decades.Although we are beyond 40 releases across the 3 labels, here we are at the milestone of #30 on our main outfit Cannonball Records. We just wanted to celebrate it with one special release.
Another musician, another great voice who wants his music to be listened and danced to
overseas. And here we gotta thank Yann Vatiste big time for the great help in making this possible. Songwriter, Arranger, Producer, Sax & Keyboard Player, Singer William Travis aka “El Willie” began his professional career in the early 70’s, when he joined The Original Drifters as a sax player. After playing with the Original Drifters for about 4 years, Karl Knighton, Larrice Byrd , Stan Travis, and El Willie decided to get off of the road for a while.
“We ain’t got no $$$” (CBLL017 Cannonball Records) 7’
After the deep funk, the raw funk, the street funk, the modern funk, the jazz funk and the prison funk, here we go with the first example of dollar funk ha ha ha. Jokes aside, some of you may recall a little post I did a couple of weeks ago about old school american soul artists who are still doing their music. So, this one is the first of our 2 todays releases. The first version was recorded last year at a studio in Louisville (Kentucky) by a band that gathered together again after several years and privately released it on a 45 which has been brought to me by my pal Dave.
This is the second production in the pipeline we have mutually set up with master Rob Sevier at Numero Group. Like all the raw material we have lined up to this project, this recording comes from a reel tape and look, the original demo version (B side, 2nd half of the video) is a 75 bpm example of what soul vocals are all about, Depth & Vibe Inc.
CBLL016 – “You came into my life” (Cannonball Records) 7′
The story goes like this. Many years ago Dave Thorley was mooching round in the basement of Ernest Kelly in Detroit and came across a bunch of acetates. Most of them were 10” acetates from his Geneva releases, plus a few others including a five track 12” acetate credited to Andrew Smith.