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  • Ronnie Laws

    Ronnie Laws

    Interview On Soul Discovery Show

    Saxophonist, Composer, Producer, and Musical Visionary, stands as one of the most dynamic and influential figures in modern music. With a career spanning more than five decades, Ronnie Laws has redefined the sound of contemporary jazz, funk, and soul, creating melodies that became the blueprint for much of today’s popular music.

    Born and raised in Houston, Texas, Ronnie Laws grew up in a deeply musical household guided by his mother, Miola Laws who was a choir director and organist whose love of gospel, harmony, and spiritual expression shaped the creative foundation for her children. From that nurturing environment came one of music’s most talented families including Hubert Laws, Eloise Laws, and Debra Laws. Each of whom has made significant contributions to jazz, R&B, and popular music.

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  • Rod Dearlove

    Rod Dearlove

    Voices From The Shadows

    The Sam Dees Interview

    We sat there, huddled together like conspiritors, in a caravan on a windswept site on the north-east coast. For us all it was an experience we’ll never forget.’Fifteen years of relief pouring out over a mere four hour spell. We cannot publish the entire text of the interview for a variety of reasons, but below is the bulk of it.

    THE CAST
    Sam (“Are these guys for real!?!”) Dees
    Pat (“Oh yes they are”) Person Moore
    Tim (“I can’t believe this is happening”) Brown
    Jan ( Just one more photo…”) Barker
    Mike (“Oh my God” ) Charlton
    Mark (“Near to tears”) Caldcleugh
    Rod (“Unbelievable”) Dearlove
    Suzanne (“Stunned into a 4 hour coma”) Cameron
    Lorraine (“Pinch me so I know it is real) Dearlove

    Within its near thirty-year life span soul music divides into many different sub-categories and I felt that
    “The Show Must Go On” album represented the zenith of the marriage between seventies technology and sixties emotion. Other records from Sam Dees cemented that bond with catalyst of imagination and genuine quality, but more more than even that, I knew he was a songwriter and producer bar none.
    In effect, I felt Sam Dees was nothing short of a soul genius.

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  • Eloise Laws

    Eloise Laws

    Interview On Soul Discovery Show

    Born into one of Houston’s most musically gifted families, Eloise Laws built a versatile career that has spanned soul, jazz, pop, and Broadway. The fourth of eight children of Miola Luverta Donahue and Hubert Laws, Sr., Eloise Laverne Laws grew up surrounded by music. Her siblings include renowned flutist Hubert Laws, saxophonist Ronnie Laws, and vocalist Debra Laws, all of whom would go on to notable careers of their own.

    Laws studied music at Texas Southern University, and her professional journey took a major step forward in 1965 when she won a national talent contest sponsored by CBS. The prize fellowship brought her to New York, where she studied music, dance, and acting while appearing on several CBS television programs, and even a recording contract offer from legendary executive Clive Davis.

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  • The George Semper Music Archives

    The George Semper Music Archives

    Written by Joel Semper Brockman

    The George Semper Music Archives represents the collective works of the late George Semper
    (b. 1.1.1942 t. 1.9.2009) who needs little introduction to soul and funk fans. The Trinidadian-American multi-instrumentalist, composer, producer, publisher and label owner from San Diego. Amongst his achievemnts, Semper is considered a Hammond B3 Hero innovator of the jazz organ, Godfather of Bay Area Funk and influencing the early days of hip-hop notably sampled by Cypress Hill on their classic ‘Insane In The Brain’. George’s talent led him to collaborate with Legendary labels and artists including Mary Love, Jimmy Smith, Merry Clayton, Isaac Hayes, Al McKay, Joe Tex, Johnny Taylor, Swamp Dogg, Brenton Wood, and Donny Hathaway. His 1966 LP Makin’ Waves is considered a Hammond organ essential and his 1977 production The Perfect Circle a cornerstone of Bay Area Funk. As a record label executive, he founded record labels Inner City Records, Inner City Attractions, Parlour Records and was an executive at MoJo Records and Liberty. As a Publisher he founded Sybil Music, Music Forever, Showtime Music.

    George Semper’s professional career began in 1958 as leader of “The Kingsmen” a San Diego, California rock and soul group which released “Monster Walk” George co-wrote with the Legendary H.B. Barnum in 1963. The following year Semper penned several recorded songs including “Better Wach Out Boy” by The Accents Featuring Sandi. Throughout the mid 1960s Semper worked with legendary labels Chess and Imperial Records as a member and producer of The Imperialites and The Chessmen. During this time he was also a Partner in two successful San Diego nightclubs “Jazzville” and “Semper’s Market Street East”. His club’s featured artists including Ramsey Lewis, Cannonball Adderley, Jimi Hendrix, Little Richard, The Temptations, Ottis Redding, Sam Cooke, Marvin Gaye, Ike & Tina Turner, Dave Brubeck and others. Notably, Semper gave a young Frank Zappa his first professional gig opening for Little Richard in 1965!

    Semper’s first solo hit came in 1966 recording his most widely known album “Makin Waves” with Imperial Records. His abilities as a musician, writer, and arranger, producer led to a varied performance and studio career throughout the 1960s and all the way through the 2000s and 120 record releases. He performed diverse venues such as Carnegie Hall with Billy Preston, The Monterey Jazz Festival Orchestra with Gil Fuller and James Moody, and Wattstax. Semper was AR and musical director for the Total Experience club and studios, MoJo and Imperial record labels, and artist Brenton Wood. George Semper’s Legacy is survived by his 3 children, five grandchildren, worldwide fans, and the contribution he made to the global urban music we enjoy today!

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  • Paul Tillman Smith

    Paul Tillman Smith

    The History of Paul Tilman Smith, so far…

    When your father hands you a pair of drumsticks at the age of four, chances are you’ll wind up a drummer. Paul Tillman Smith’s father, George Smith (Kansas City Smitty) played drums during the big band era with many well-known bands including Count Basie, Trummer Young and the Harlem Aces. He was also a mentor to singer Pearl Bailey‘s husband drummer Louie Bellson. 

    At age fifteen at the urging of his mother Della, Paul began playing the piano. It was soon after that he began to write simple three chord songs like the ones he would hear on the radio. This love has lasted a lifetime.

    Paul has published over a hundred songs to date including the Pharaoh Sanders and Phyllis Hyman jazz pop classic  “As You Are”, the Norman Connors and Jean Carne  hit  “Stella” featuring guitarist Lee Ritenour, and the tender love ballad  “ Heavenly”, recorded by pianist Webster Lewis featuring vocalist DJ Rogers, saxophonist Benny Maupin. “Heavenly” also featured  strings by Herbie Hancock and  was performed by the Boston Pop Symphony for nationally syndicated TV.  Paul’s album “Sharing” from his middle seventies Buddha Records recording group Vitamin E., featured The Sly Stone & Frank Zappa vocalist Lady Bianca and saxophonist Jules Broussard’s vocalist David Gardener

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  • Rob Moss

    Rob Moss

    Detroit Soul / Hayley Records

    Rob Moss has been a dedicated soul fan since his mid teens with a particular penchant for 1960s and 70s Detroit music. In 2000 after many visits to the Motor City he launched his own Hayley Records label, named after his daughter, and dedicated to issuing previously unreleased Detroit gems on vinyl. To date the label has released 39 singles and one album, and is celebrating its 25th Anniversary in 2025. His present home is in Coventry.’

    The involvement of gangsters in the music business, during the 1950s and 60s in payola scandals and the like, is well known. The opportunity to launder ill gotten money by paying cash for all recording, manufacturing and promotional costs and then receiving legitimate payments for record sales must have been heaven sent for some. One of the first to operate in Detroit in this way in the 1960s was a local huckster called Wilbur Golden. Through the contacts he had developed within the Detroit music scene and a fat bankroll, he set up Correc-tone Records in 1962 and assembled an impressive roster of artists that included Wilson Pickett, Theresa Lindsey, Yvonne Vernee, Danny Woods, Timiko (Jones),Gino Washington, Herschell Hunter’s Moments and the Pyramids amongst others.

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  • Lorraine Feather

    Lorraine Feather

    LYRICIST/JAZZ SINGER

    ESSAY FOR Dr. Robert Riehemannʼs Course
    THE LIFE OF THE MIND, (2010)

    THE LIFE OF MY MIND………Lorraine Feather

    Iʼve been asked to write an essay about my creative life by your instructor, Dr. Riehemann. He has played my musical work for some of you, but otherwise itʼs unlikely that you would know who I am. Iʼve never been featured prominently on TV, or had a big pop hit. I describe myself as a “lyricist/jazz singer.” I put “lyricist” first because I can envision giving up singing at some point, but never writing. Iʼve been involved with some big projects as a lyricist, have been in and out of work, written lyrics for film and TV, done seven solo recordings since the late 1990s. I have what I would call a most interesting career, one that engages me tremendously.

    I donʼt have children and I donʼt know anything about parenting, but Iʼve seen it done. As I understand it from friends of mine with kids in college, thereʼs a fair amount of pressure these days to offer some idea of what you want to do in life by the time youʼre in your late teens or early twenties. The basic point of this essay—to quickly end the suspense as to whether there might be one—is to share a little of my own experience regarding the setting of goals, changing of goals, despairing over whether itʼs possible ever to reach any of them, and lessons Iʼve learned along the way in the course of pursuing my own.

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  • Chuck Overton

    Chuck Overton

    Chuck Overton’s remarkable 50-year career in the music and recording industry showcases his deep-rooted passion and talent, beginning at the age of five in Mexico, Missouri, in 1948. His early musical journey included studying the saxophone under the guidance of John Larry Johnson, a former saxophonist with the Lawrence band, in Vandalia, Missouri. Additionally, Dr. Levine from New York provided saxophone lessons at Overton’s home, further honing his skills.

    By the age of 12, Overton was already performing with concert and jazz bands, recording an album, and playing with local bands. However, tragedy struck when his mother passed away, prompting a move to St. Louis, Missouri, where he lived with his aunt and attended Charles Sumner High School, continuing his musical endeavors within the local bands. A year later, he relocated to Rock Island, Illinois, to live with his father and completed his high school education at Rock Island Senior High School.

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  • Gospel

    Gospel

    According To Soul Discovery  

    Holden Brothers  “If I Didn’t Have You” (HB)
    Robert Owens “Show Me Your Face” (Universal-Dutches Music)
    Sammie Wallace “Heaven Bound” (Ideal Records)
    Rich ‘Christie’ Feat Monique Reed “Free to believe” (DL)
    Minister Bowie “I’m a winner” (Rolling Cloud)
    Maurice “How can you say you love me” (CDS) Re-Mix – Soul Discovery CD
    Bernard “Kingdom of love” (Cross Town Music West)
    The DCW & Project L. Sydney Davis “Show my love to you” (MM)

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  • MicCulture Robbie Love

    MicCulture Robbie Love

    Interview On Soul Discovery Show

    Robbie Love’s musical journey began the day she was born. Growing up in a rock & roll household, Robbie is no stranger to the music industry. It wasn’t unusual for her and her brothers to go shoot billiards at the home of front man Dennis Edwards of the Temptations or to spend weekends over Uncle Charles Wright of the Watts 103 Street Rhythm band’s house, or even get a knock on the door from Mr. Willie Hutch. Robbie’s first photo shoot was at the tender age of 4 months by Mr. Lamont Mc Lemore, one of the founding members of the acclaimed musical group The Fifth Dimensions. 

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  • Paul Tilman Smith

    Paul Tilman Smith

    The History of Paul Tilman Smith, so far…

    A lot of people don’t realize why myself and drummer record producer Norman Connors are dear friends today. Firstly, he was with me on my gig when he met his first wife. His self don’t even remember. I remember cause he was lucky to catch her,lol. I was sitting back with nobody.  Also, we were the youngest drummers on the New York Jazz scene right after John Coltrane died. I knew all of John’s drummers and was gonna try and steal their job if John hadn’t died.

    They were both my buddy’s and helped take care of my broke ace.  My buddys drummers Rasheed Ali and Sonny Murry were the last drummers to play with John Coltrane. Well at least I got to play once with John’s wife Alice Coltrane. I don’t know if I could have whipped Elvin Jones ever though,lol. I did sit in on his drums one time. Also, I did get to  play and record with many of Johns predecessors including Pharaoh Sanders, Sonny Simmons and Albert Ayler. I wrote Pharaohs biggest song ever. Norman’s name is on the tune also because he made me write the hook. “AS YOU ARE” written for John Coltrane.

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  • Canal Tavern, Thorne

    Canal Tavern, Thorne

    Rod Dearlove asked me six times to DJ at Thorne. Below are tracks I played a the time……Magic Nights

    Chantique “I know I’m falling in love” (AIP) 7’
    The Mood “Get the love” / “So much love” (World Jam) 12’
    Sweet Thunder “I leave you stronger”(Fantasy WMOT) LP
    Robard Johnson “Slow drag with my baby”(Premo) 12’
    Little Reuben “In the name of loneliness” (NR) 7′
    Rocket “Here comes my love” (Quality) 7’
    Ben Jackson The A.P.O. Band “Never get enough (of your love)” (A.P.O.) 12’
    Chuck Roberson “I’ve got to have your love” (Bluesong) 7’
    Bean Brothers “Without you” (Davida) 7’
    Mahal & Tracy Kerr “Who Are You” (Indy 5) 7′
    Charisma “Let Love In Your Life” (Rock Mill Records) 7′
    Flowers “We could make it happen” / “For real” (LA expresso) 7’

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