Category Archives: Soul 4 Real Records

Independent record label specialised in previously unreleased Soul Music

THE STAPLES

“Take This Love Of Mine” / “Precious, Precious”

Label: Soul4Real Records
Catalogue Number: S4R34
Release Date: 1st March 2024  
Format: 7’ Vinyl

With the collapse of Stax Records, The Staple Singers signed with Warner Bros in 1975, leading to a brief and fruitful collaboration with Curtis Mayfield. Their first work, the OST ‘Let´s Do It Again’, became the Staples’ all-time best seller. Such was the success that the major decided that Mayfield would also produce their next work, ‘Pass It On’, in 1976.

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TOMMY TATE

“I Can’t Do Enough For You Baby” / “Hold On (To What We’ve Got)”

Label: Soul4Real Records
Catalogue Number: S4R33
Release Date: 1st March 2024  
Format: 7’ Vinyl

Tommy was born in 1945 in Homestead, Florida, and after his first foray into music in a church choir, he launched his secular recording career in Jackson, Mississippi, working mostly with Tim Whitsett and his Imperial Showband in the latter half of the 1960s. After a short stint with the Nightingales, he signed with KoKo in 1971 and had six impressive singles released, followed by records on Sundance, Juana and Urgent Records.

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Soul Prescription- Various Artists   

Label: Soul4Real Records
Catalogue Number: S4RLP04
Release Date: 7th December 2023 
Format: LP

Whatever condition your condition is in, Soul4Real have huddled together a team of the finest soul physicians to make you feel good.
We scoured all the shelves in the soul pharmacy and discovered some potions that were only just through the trial stage. Just one listen to the brilliant Aretha, Gladys, Walter Jackson and the Purify’s tracks convinced us not to wait for FDA approval, so we took the plunge and shared them with the world on vinyl for the very first time.

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Various Artists – It Hurts So Good  

Label:  Soul4Real Records 
Catalogue Number: S4RLP01 
Release Date: 9th December 2022  
Format: LP   

It doesn’t always hurt to hurt…
Soul 4 Real’s first venture into the albums market is as compellingly essential as the label’s impressive singles catalogue. Its 11 tracks explore every lonely street and losers avenue that soul music has walked down since the early 60s, tempering essays of heartbreak and love lost with the occasional glimpse of positivity and happiness. “It Hurts So Good” is very much in the tradition of those great 60s soul compilations where diverse strands of black American music sat side-by-side with each other, and still formed a satisfying listening experience despite their apparent disparity because, in the final analysis, the music mattered most.

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