In the early ‘70s with a string of hit R&B records, produced by her great friend, the late Rick Hall of the legendary FAME Studios in Muscle Shoals: “I’d Rather Be an Old Man’s Sweetheart (Than a Young Man’s Fool),” “I’m Just a Prisoner (of Your Good Lovin’),” “Sweet Feeling,” “Stand by Your Man” and a cover of “In the Ghetto” that remains nearly as celebrated as Elvis Presley’s original. In the late ‘70s, she reinvented herself as a disco diva, returning to the charts with “Young Hearts Run Free.” She then returned to her gospel roots, a move that unexpectedly led to her career resurgence in the ‘90s and 2000s, as two songs originally written as Christian anthems, “You Got the Love” and “Hallelujah Anyway,” won new audiences with dance remixes.
Soul Discovery Show – An Exclusive Interview with Candi Staton 19/06/24
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In the early ‘70s with a string of hit R&B records, produced by her great friend, the late Rick Hall of the legendary FAME Studios in Muscle Shoals: “I’d Rather Be an Old Man’s Sweetheart (Than a Young Man’s Fool),” “I’m Just a Prisoner (of Your Good Lovin’),” “Sweet Feeling,” “Stand by Your Man” and a cover of “In the Ghetto” that remains nearly as celebrated as Elvis Presley’s original. In the late ‘70s, she reinvented herself as a disco diva, returning to the charts with “Young Hearts Run Free.” She then returned to her gospel roots, a move that unexpectedly led to her career resurgence in the ‘90s and 2000s, as two songs originally written as Christian anthems, “You Got the Love” and “Hallelujah Anyway,” won new audiences with dance remixes.
After a lifetime of great music, Staton has accumulated many well-deserved accolades, including induction into the Christian Music Hall of the Fame and the Alabama Music Hall of Fame. But as proud as she is of those acknowledgements, she’s even more proud of her work with victims of domestic violence through her non-profit organization, A Veil of Silence — and deeply grateful that she’s able to continue dazzling audiences with her age-defyingly energetic live shows, mixing music from every era of her storied career.
Label: Kent Records Catalogue Number: CDKEND 518 Release Date: 29rd March 2024 Format: CD
The GRC Records set-up in Atlanta produced a wealth of great soul music. Because of the sudden curtailment of the company, due to owner Michael Thevis’ incarceration, so much of it never saw a release.
The tapes were preserved though and with many tracks being issued. This latest batch of tape discoveries is of shockingly high quality. Sam Dees’ presence is a major cause of this.
Standouts include Miss Louistine’s original version of ‘Con Me’ – surely a contender to be a Deep Soul Treasure, had Dave Godin heard it. Her take on Dees’ ‘Extra Extra’ is possibly the opposite emotion – sheer joy at finding her lover; equally well expressed. ‘Paperman’ is a classic mid 70s Dees’ composition, well sung by Wes Lewis with his group Alpaca Phase III. Dees collaborated with another major GRC talent, Joe Hinton, for the funkier ‘Shouldn’t I Be Given The Right To Be Wrong’. Hinton co-penned two songs with backing singer Louvain Demps who left her job with Motown’s backing girls the Andantes to move to Atlanta with Hinton. Their ‘Grant Me One More Day’ is a beautiful track and ‘Depend On Me’ is another worthy find.
The Ellis Hall Group “Those Passing Words” (Ellis Hall Records) 7’ Superior Movement “Sweet Dreams” (CIM) LP Michelle David & The True Tones “Brothers And Sisters” (Records Kicks) Jesse James “Don’t Forget I Love You” (North Broad St) 7’ Michon Young “Bounce Back” Sey Musiq “Requited Love” Sy Smith “Why Do You Keep Calling Me” Ariel “When I Close My Eyes” (Jazzroom Records) LP
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